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Al HASSAN ISSAH
FEATURED WORKS
Black Victorians and the Arewa Babes
SOLO EXHIBITIONS
Seduced by the Charms of a Mistake
Eloquence of the Wind a Dream of Toffees and Spikes
(Trilogy): Kum Ase: A Field Filled with Golden Spikes
AIR IN ZUIDOOST
Visions of Untold Stories
A Million Strokes and Visuals from the Future
GROUP EXHIBITIONS
4+3=1
On Damp Earth we Wander-A journey of Ten Stories in the Sonic Garden of Kerima Tariman
Worldmaking
Filling in the Pieces in Black (Brussels)
Filling in the Pieces in Black (London)
Silent Invasion: The Art of Material Hacking
NEWS + PRESS
MONOGRAPHS + PUBLICATIONS
New Perspectives: Contemporary Art from Ghana
Reading Al Hassan Issah’s Radicant Formalism
A Conversation Between Al Hassan Issah and Baerbel Mueller
Depicting the Right to the City, A Text on Two Tempos by Rebecca de Marchi
TALKS + PRESENTATIONS + PODCASTS
Podcasts
Talks
CURRENT + UPCOMING EXHIBITIONS
Failure Is The Key (2nd Edition)
WORKSHOPS + SYMPOSIUMS + RESIDENCIES
El Anatsui African-Based Artist Fellowship, Brandywine Prints and Archive, Residency
STATEMENT + BIO
Al HASSAN ISSAH
FEATURED WORKS
Black Victorians and the Arewa Babes
SOLO EXHIBITIONS
Seduced by the Charms of a Mistake
Eloquence of the Wind a Dream of Toffees and Spikes
(Trilogy): Kum Ase: A Field Filled with Golden Spikes
AIR IN ZUIDOOST
Visions of Untold Stories
A Million Strokes and Visuals from the Future
GROUP EXHIBITIONS
4+3=1
On Damp Earth we Wander-A journey of Ten Stories in the Sonic Garden of Kerima Tariman
Worldmaking
Filling in the Pieces in Black (Brussels)
Filling in the Pieces in Black (London)
Silent Invasion: The Art of Material Hacking
NEWS + PRESS
MONOGRAPHS + PUBLICATIONS
New Perspectives: Contemporary Art from Ghana
Reading Al Hassan Issah’s Radicant Formalism
A Conversation Between Al Hassan Issah and Baerbel Mueller
Depicting the Right to the City, A Text on Two Tempos by Rebecca de Marchi
TALKS + PRESENTATIONS + PODCASTS
Podcasts
Talks
CURRENT + UPCOMING EXHIBITIONS
Failure Is The Key (2nd Edition)
WORKSHOPS + SYMPOSIUMS + RESIDENCIES
El Anatsui African-Based Artist Fellowship, Brandywine Prints and Archive, Residency
STATEMENT + BIO
Folder: FEATURED WORKS
Back
Black Victorians and the Arewa Babes
Folder: SOLO EXHIBITIONS
Back
Seduced by the Charms of a Mistake
Eloquence of the Wind a Dream of Toffees and Spikes
(Trilogy): Kum Ase: A Field Filled with Golden Spikes
AIR IN ZUIDOOST
Visions of Untold Stories
A Million Strokes and Visuals from the Future
Folder: GROUP EXHIBITIONS
Back
4+3=1
On Damp Earth we Wander-A journey of Ten Stories in the Sonic Garden of Kerima Tariman
Worldmaking
Filling in the Pieces in Black (Brussels)
Filling in the Pieces in Black (London)
Silent Invasion: The Art of Material Hacking
NEWS + PRESS
Folder: MONOGRAPHS + PUBLICATIONS
Back
New Perspectives: Contemporary Art from Ghana
Reading Al Hassan Issah’s Radicant Formalism
A Conversation Between Al Hassan Issah and Baerbel Mueller
Depicting the Right to the City, A Text on Two Tempos by Rebecca de Marchi
Folder: TALKS + PRESENTATIONS + PODCASTS
Back
Podcasts
Talks
Folder: CURRENT + UPCOMING EXHIBITIONS
Back
Failure Is The Key (2nd Edition)
Folder: WORKSHOPS + SYMPOSIUMS + RESIDENCIES
Back
El Anatsui African-Based Artist Fellowship, Brandywine Prints and Archive, Residency
STATEMENT + BIO

Reading Al Hassan Issah’s Radicant Formalism: Exhibition Review: Seduced by the Charms of a Mistake on View at Nubuke Foundation, Accra (December 18, 2021 to March 12, 2022)

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